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Media That Matters for the Emerging Filmmaker

This year marked the 10th anniversary of the Center’s annual conference, profiled in "The MTM Publication" now available online. As an emerging filmmaker, the conference stood out to me as providing a unique variety of resources for newcomers in the media industry. Topics ranged from understanding film festivals all the way to why social impact media makers should pay attention to games. Read more...

Social-Issue Docs Shine at AFI Docs

At AFI Docs, now in its second year, powerful, well-crafted social issue movies struggled to make connections with audiences committed to their issues.

The festival that grew out of Silverdocs weathered a second year, although still in search of budgetary stability after losing one presenting sponsor (Audi) and picking up another (ATT). Now positioned as a “best of fests” documentary festival, and notably U.S.-centric, it claims to “connect audiences and documentary filmmakers to policy leaders in the seat of our nation's government.” Read more...

From Story to Storyworld: A Conversation with Futurestates’ Karim Ahmad


“I’ve figured it out. I can open the door, but they have to walk through it.”

Thus starts the innovative, interactive experience that is Futurestates.tv, the online platform for the final season of ITVS’s "Futurestates." The cryptic message invites the audience to explore a selection of short films and related videos that offer a glimpse of what technology could become in the future – and what such advancements might mean for us as a society. Read more...

HathiTrust Decision: Good News for Media That Matters

HathiTrustThe June 10 appeals court decision on HathiTrust advances the useability of fair use, protects innovation and helps makers of media that matters.

HathiTrust is a service of a consortium of more than 90 libraries. Read more...

Rewriting History Through Documentary

Ken Burns: The Civil WarI’ve just discovered a gem on Netflix. For a limited time, the epic Ken Burns series “The Civil War” is streaming in its entirety—all nine “Ken Burns effect” episodes of daguerreotype goodness. Even “Orange is the New Black” will have to go on hiatus for me to soak in the uninterrupted hours of PBS history bliss. Read more...