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Gender Equality in Hollywood: Where Are We Now?

At this point it’s fairly well known that women are routinely underrepresented – and misrepresented – in major motion pictures. But we’d like to believe that in this modern era of equality, things are finally changing for the better. Not so, says the USC Annenberg Media, Diversity, & Social Change Initiative’s latest report. Read more...

Assessing the Changing Business Model of Local News

PNapoliProfessor Philip Napoli tackled the question of media impact assessment on a recent podcast of the MIT Comparative Media Studies/Writing Center. Napoli, who teaches journalism and media studies at Rutgers, published “Measuring Media Impact” for the Norman Lear Center in October of last year.Read more...

Dot Connector Studio: A Focus on Impact

Dot ConnectorNot too long ago, media impact expert Jessica Clark was leading the Future of Public Media project here at the Center for Media & Social Impact. After that, she helped develop and launch the innovative multimedia production Localore as AIR’s media strategist.

Now she’d like you to meet her next project: Dot Connector Studio, a multiplatform media strategy and production firm that helps creators produce innovative experiences, conduct field research, and design for impact. Read more...

Public TV Docs Feature More Diverse Creators and Characters than Cable

Independent LensMore cable series than ever before feature social-issue documentaries, but public TV still stands out for diversity in both creators and characters, according to Center research that will be announced at the International Documentary Association’s 2014 Getting Real Documentary Film Conference. Read more...

Good News: Growing Acceptance of Fair Use in Documentary

At the 2014 Getting Real Documentary Film Conference, hosted by the International Documentary Association, the Center is releasing new research on the embrace of fair use in the field.

Based on a survey of 489 documentary filmmakers by Patricia Aufderheide and Aram Sinnreich, the survey finds that a great majority of documentary filmmakers understand fair use, find it valuable in their work, and have had no trouble with acceptance by broadcasters, lawyers or insurers. Read more...