CILECT North America’s Docu-Day conference opened at American University with a manifesto-like volley from professor emeritus and field leader Michael Rabiger, who asked, “What makes a documentary durable?” His answer: Film art, featuring creative use of elements ranging fr
Claudia Myers (Kettle of Fish) is a producer/writer/director and an associate professor in the Film and Media Arts Division of the School of Communication at American University. Her latest feature film Fort Bliss (2014) chronicles the story of a female army medic who returns from her tour of duty and struggles to reconnect with her son. The film touches upon issues of managing work and family, PTSD and sexual assault. CMSI sat down with Professor Myers to discuss the film and its social impact since its release last year. Professor Myers also shared with CMSI a case study of the film's impact and reach thus far.
I am part of a team in the special collections unit of my university library working on the recently acquired personal archive of a regional artist. We’re hoping to make the correspondence between the artist and various collectors and institutions digitally available. The archive came with a donor’s agreement allowing digital display, but there are a lot of items in the archive that are actually copyrighted to others. So what we want to know is, can we employ fair use here? If so, how?