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Interactive Documentary Conference at IDFA

IDFAIn its second year, the International Documentary Film Festival Amsterdam's (IDFA) Interactive Reality Conference was packed with filmmakers, programmers and funders looking to grasp the emergent interactive documentary phenomenon. The speaker list was star-studded, culminating in keynoter Jonathan Harris. Not even the failure of wi-fi for the majority of participants could dampen the enthusiasm. Read more...

Pull Focus Interview with Dawn Porter

Dawn Porter

As part of the 2013 Human Rights Film Series, filmmaker Dawn Porter recently visited the Center to share the stories behind her latest documentary project "Gideon's Army." Read more...

Launching LandofOpportunity

LandofOpportunityLandofOpportunity has officially launched its Beta Interactive Platform for the public. The platform is an experimental web project exploring post-crisis community (re)building in America, that merges compelling multimedia storytelling with curated data, research, and calls to action in one collaborative interactive space.  Read more...

Fair Use Question of the Month: Illustration in News Reporting

Photo by tedeytan/FlickrDear Center for Media & Social Impact,

I am a reporter writing on the growing popularity of food trucks. I want to use Twitpics circulated by customers to illustrate my news feature. Can I use those pictures without checking with and getting the approval of the people who Tweeted them?

Katie

"State of Play" Reexamines Gatekeeping Forces in the Media

State of Play: The Gatekeeping of Micro-documentariesSelf-publishing has removed traditional barriers to distribution, but the result is what Nick Michael calls "a soup of undifferentiated content" that makes it harder for filmmakers to get their audiences' attention. These days, the problem isn't putting your message out there; it's finding people who will listen to you.

In today's world of YouTube, Facebook, Wordpress, Tumblr, and Twitter, anyone can self-publish content. The gatekeeping power of the "old media" is no longer a necessary obstacle for mediamakers. But self-publishing platforms are not as "gate-less" as they often seem. Read more...