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Journalists Get Fair Use Spectacularly Wrong

Set of Principles in Fair Use for JournalismYou’d think they’d never created a Set of Principles in Fair Use for Journalism, the way some journalists have fumbled the chance to clarify their fair use rights.

It all began with a belated licensing demand to journalism outlets by the guy who shot the video of a South Carolina cop murdering Walter Scott.  His Australia-based publicist could be forgiven—barely—on grounds of ignorance for making up a fanciful interpretation of fair use, which is U.S. law. Read more...

Roundup: PBS and Indies at SXSW

Photo by PBS via FacebookAt SXSW, PBS made a bigger splash than usual at the media/tech mecca, with seven (!) panels and three fest films. At the new-this-year PBS Lounge (swag, free beer, comfy couches, selfies posted direct to Net), you could meet filmmakers of the three PBS premieres. PBS also announced investment in theatricals. And more than two dozen PBSers were on hand to court indies. 

But it joined a throng of distributors—not just broadcasters but also online platforms—doing the same thing. At the same time, it couldn’t say what indies wanted to hear, and it demonstrated its own version of a digital divide. Read more...

Bleeding-Edge News at SXSW

SXSWSXSW panels and events take the pulse of cutting—OK, bleeding—edge trends in tech for film. Seven takeaways from panels:

#1: Streaming video: Open and closed video streaming platforms are now mainstream, and funding programming. In fact, according to Buzzfeed’s Summer Anne Burton, YouTube (c. 160M monthly desktop viewers) is now a lean-back, longform(ish) medium—suitable for evening viewing. Read more...

Josh Oppenheimer Wants to Reinvent the Human Rights Film

The Look of SilenceAt the Based on a True Story conference associated with the True/False Film Fest, filmmaker Josh Oppenheimer explained why his latest film, The Look of Silence, is not about past genocide but about current trauma.

The maker’s earlier Oscar-nominated work, The Act of Killing, followed Indonesian gangsters who are still congratulating themselves on their work in the mid-1960s murdering workers who were accused of being Communists. In The Look of Silence, he follows a survivor—the younger brother of a man whose murder was, unusually, witnessed. The survivor begins a process of confronting murderers who are still supported by the most powerful political forces in the society. Read more...

Visual Arts Community Embraces Fair Use Code

At the annual College Art Association conference, the news was about fair use. 

Thousands of attendees received a copy of the just-created Code of Best Practices in Fair Use for the Visual Arts. At the Committee on Intellectual Property’s annual panel, Patricia Aufderheide and Peter Jaszi joined CAA Board President Dewitt Godfrey, a sculptor; Anne Goodyear, a museum curator; Christine Sundt, a journal editor; and CAA’s counsel Jeffrey Cunard to introduce members to the resources.

As members asked questions, panelists were able to showcase the related resources for them, including an FAQ that included answers to all the questions audience members raised. Read more...