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Future of Public Media

Can Public TV and Indie Filmmakers Get Along?

At the University Film and Video conference in August, the challenging but rewarding relationship between indie filmmakers and public TV was celebrated—by pubtv insiders as well as indies.Read more...

What makes a documentary durable?

Michael RabigerCILECT North America’s Docu-Day conference opened at American University with a manifesto-like volley from professor emeritus and field leader Michael Rabiger, who asked, “What makes a documentary durable?” His answer: Film art, featuring creative use of elements ranging fr Read more...

How to Make Membership in Public Broadcasting More Meaningful

POV Web JunkieLast year, I donated to my local public broadcaster, which had decided to carry my favorite shows, Independent Lens and POV—the two public TV series that carry award-winning, diverse documentaries—at a time I could actually watch them. (That is, at the nationally scheduled time, on Monday nights at 10pm.) And I told them why I was donating.

And so now I’m a member of my local station. Read more...

Three Questions about Interactive Storytelling at Tribeca

TribecaTFI Interactive, Games for Change and Storyscapes this year were, as in the past, wildly stimulating and provocative experiences at the Tribeca Film Festival. But I found myself wondering if in the interactive space we’re ready to get a little definition on what we’re talking about. Read more...

PBS and WNET Keep Independent Documentary in Primetime

After months of public and private discussion that raised fundamental questions about the purpose of public TV, PBS and WNET have struck an agreement to support the public TV series that showcase diverse, independent voices: Independent Lens and POV. Read more...